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						a matter of 
						grammatical joys 
						    – complete with 
						definitive, mathematically-precise formula – 
						featuring, too, an Open Letter to 
						the President of the Islamic Republic of Iran 
						   
						            When we 
						quote others, we may be doing much more than simply 
						quoting.  The very act of going from one's voice to 
						another's also invites the stir of human themes – ours 
						linked to theirs – percolating multiply in all of us.  
						The realm of quoting bids touch upon this underlying 
						life.  We do it (directly quote, indirectly refer to 
						others) through those vehicles of looping and linking 
						called grammar – the arts for all transitioning. 
						              Crossing 
						over to touch on and perhaps enter into another – or, 
						others – may be physical, as in sex (scoring, joy, or 
						religiosity).  It may be non-physical, too, as in 
						essaying or storytelling.  Either way, in private sex or 
						public prose, technique keys all – all connections – and 
						best:  the transitioning grammars that locate us 
						vis-à-vis others.   
						Before looking at 
						actual techniques, we can digress for a question:  how 
						much intercourse with "others" do we really want?  The 
						"others" part of this question matters for how it 
						differs from the "we getting it" part.  That is, to the 
						degrees we may not see "others" except as enablers of 
						ourselves, our intercourse serves colonizing, not 
						connections.  For those who see "others" mainly as 
						extensions of ourselves, such reductions translate in 
						our personal lives as solipsism, in larger public 
						affairs as militarism (our imposing-our-U.S.-corporate-hegemony-on-the-world).  
						The two connect.  Private and public intercourse may 
						help in seeing others; they may in symbiosis also reduce 
						to the narcissism of our larger culture – from corporate 
						academe and its promises for its mutually-isolated 
						specializations, to corporate marketing and advertising 
						and their consumerism entitlements.  These systemic 
						exploitations of our most malleable selves everywhere 
						similarly incant related promises and entitlements, 
						reducing all to one thing:  to the satisfaction of "me" 
						– "me" fused with my tribe of similar "me's."  Empire 
						U.S.A. teaches the religion of accumulation, not 
						connection.  Though we may do it unwittingly, we learn 
						to expect life to be ever adding up – always more 
						rewards for "me" – "me" and the tribes of my fellow 
						"me's."  Life by corporate ethics beckons as a forward 
						progress, so long as we learn to keep to our correct 
						lanes, our flow-chart niches.  In corporate culture, 
						"others" collapse as any meaningful category, except as 
						adjoining linked-fellow units, all in our 
						similarly-mutual isolations, from our demographics in 
						consumerland to our drivers in parallel tunnel-vision 
						lanes.  Though as humans we're all "others," corporate 
						culture teaches us the banalities for when we meet at 
						water coolers, vending machines, elevator lobbies, and 
						shopping lines.  In cubicle culture all are the same.  
						We've no intercourse with "others" except for emotion 
						for the odd fool who tries to line-jump us or cut us off 
						in traffic.  Except for such brief altercations, we've 
						few abilities to see, let alone quote them.  
						Even then, communication comes typically in standardized 
						rage and stereotype categories. 
						Safe otherwise as we 
						are, or expect ourselves as entitled to be in the 
						niches, lanes, lines, and cubicles of our corporate 
						culture, it all the more entertains how, every year this 
						time of year, we have from our usual school and other 
						corporate types the same predictable hand-wringing about 
						plagiarism. 
						Entertaining, because 
						here the issue of "others" nettles more. 
						Simply put, plagiarism 
						occurs when we quote others (directly, indirectly) as if 
						things from them proceeded not from them but from us.  
						In plagiarism, "they" cease to exist – or never 
						existed.  If you listen to our genteel pious bemoaning 
						from corporate academe, you can see how few regret 
						plagiarism for human reasons – for the missed joy of 
						more intercourse with "others."  They whom Richard Rorty 
						called "ascetic priests," they who most model the 
						manners of poising impersonal, neutral, "objective," 
						instead most often in lamenting plagiarism lament the 
						fact that they who quote without attribution are 
						cheating "us."  That is, those who pass off the words of 
						others as their own are misrepresenting their abilities 
						and deceiving "us," their teachers, fellow students, or 
						whomever the niche public may be. 
						              When I 
						hear these, the perennially "shocked, shocked" about 
						plagiarism, I'm reminded of the drivers in sprawl 
						America ever stressed-out and quick to road rage:  
						"they" are passing "me": "they" are blocking "my" way – 
						maybe doing it idiotically, or deviously, but "they" 
						should know better.  In academe, those passing off 
						others' material as their own may also and thereby be 
						getting unfairly ahead – passing "me" in the 
						flow-chart terrain of corporate-land – that 
						lane-changing, line-jumping rat race of grade grubbing, 
						admissions procuring, and promotions, tenure, and 
						sinecure competing. 
						              Some in 
						the plagiarism debates may do a more sincere job in 
						their finger pointing.  They may feel sorry for 
						students, particularly for those who may plagiarize in 
						response to the too-many instructors who every year give 
						the same rote assignments.  Some may deprecate 
						plagiarism, too, out of the professional respect they'd 
						like to see more of us have for the specialist rungs 
						they have learned to climb.  They would like us to 
						emulate, or at least honor them for the personal 
						sacrifices that got them where they are.  Too many of 
						these, however, all-too-obviously show no love for any 
						"others" but, rather, for the greater narcissism, 
						eventual pensions, and abiding 401K's of their own 
						careerism – for the step-by-step methodologies they as 
						specialists have learned mark out their turfs.  We as 
						drones may validate them if we all similarly turn to the 
						same manuals, hand-outs, and charts where they got their 
						proprieties for APA, MLA, and other referencing 
						formatting.
 
 
						 
						Theorem #1: 
						              Those, 
						by contrast, who love people – real "others" – are those 
						who love grammar:  the arts of transitions.  As 
						Essaying Differences Theorem #1 
						puts it: 
						Love of People = 
						Love of Transition Grammars 
						              The 
						techniques of transitioning into quotes, like those of 
						transitioning from one paragraph to another, best 
						involve some subordinate clause hinged unto the main 
						clause.  Relative clauses work well for this – syntax 
						beginning with "which," "that," "who," and "whose."  
						These let us look at some noun we've just met, to see it 
						in new context we want to introduce for it.  Thus we 
						summarize identity and add identity to it.  We allow it 
						to turn another facet for additional sparkle not seen 
						before. 
						              Although 
						relative clauses work well to show other dimensions to 
						any noun, adverbial phrases may do this even better, 
						above and beyond their chief job, citing and locating 
						time factors.  We may start a phrase with "when," 
						"while," "before," "after," "during," or "since," or 
						other such terms, and yoke one period of time to 
						another.  But we may do something more, as the subject 
						noun at the beginning of each phrase may close with a 
						statement at the end recalling that earlier-mentioned 
						identity; or with a very different noun, moving things 
						in a very different direction ("When I was fifteen, and 
						still believed such ideals," "While her words told me 
						one thing").  It's at this point we arrive with evolved 
						expectations at a next paragraph.  For a transition into 
						a quote, we may not only introduce words or ideas from 
						another person, but may put their context 
						alongside the one our own words have been establishing.  
						For transition into quotes, the "other" may get key 
						emphasis.  Above and beyond our prose, somebody 
						else's matters for perhaps some other 
						perfectly good reasons (even if not originally exactly 
						our reasons). 
						              Similes 
						may work for transition grammars.  Gerundives may, too.  
						We've many choices but the fact remains:  through them 
						we can enjoy "others."  Even while yoked to the 
						machinery of corporate culture, as all are in America, 
						we also have links to other culture which in song, film, 
						book, and other forms can let us rise above and, for 
						awhile, to some extents, let us shed our corporate souls 
						(even while the forms of popular culture, simply in 
						being marketed and sold, may ride their own corporate 
						conveyances, too). 
						              No need 
						to be ashamed that we all, to some extents, inhabit 
						evil.  "They" do, too.  But in the proportion that we 
						get good at seeing and quoting "others," we can set off 
						in subordinate clauses the various evils we also 
						inhabit.  Or, vice versa, we can keep elements of 
						other culture alive in negotiating the main, perhaps 
						more potent clauses – as Henry Adams located "the 
						Virgin" and spiritual sides of life alongside "the 
						Dynamo" and robot-making industrial life.  To the 
						degrees we learn to relish the arts and acts of 
						transitions, we can see more generously through our 
						mortal complicities, not to deny them, but to elevate 
						and relish more precise, more true, more subtle 
						intercourse. 
						All humanity lives in 
						a tension with each culture's larger myths, promises, 
						and lies.  All inhabit the primary facts of clothes, 
						food, landscape, buildings, and transport, so that while 
						main grammars may track these things in their 
						utilitarian functions, additional grammars – thanks to 
						all those transitions – may simultaneously track the 
						other levels of reality in their styles – may cite, too, 
						the many levels of "others" in so many ways 
						interconnected with and affected by us, as we are with 
						and by them.  
						To wit, the open 
						letter, below: 
						  
						
						Part Two >> |